THE SEVEN THEMES OF MUSIC GEOGRAPHY
Identifieur interne : 000D24 ( Main/Exploration ); précédent : 000D23; suivant : 000D25THE SEVEN THEMES OF MUSIC GEOGRAPHY
Auteurs : Peter H. Nash [Canada] ; George O. CarneySource :
- Canadian Geographer / Le Géographe canadien [ 0008-3658 ] ; 1996-03.
English descriptors
- Teeft :
- Alternative rock culture hearth, American geographers, American music, Annual meeting, Auditory sense, Canadian association, Canadian country music, Canadian geographer, Carney, Country music, Country music radio stations, Cultural diffusion, Cultural geography, Departmentof geography, Geographe canadien, Geographer, Geography, Geomusical growth, Global music, Human geography, Illinois press, Major themes, Miami sound, Middle ages, Music geography, Music regions, Musical activities, Musique globale, Nash, Neumatic notation, Next theme, Popular music, Regional music, Source areas, Sources regionales, Spatial aspects, Spatial dimensions, Subject matter, Technological innovations, Vander linden, Western polyphony, White gospel quartets, World music, Zydeco music.
Abstract
Music geography first emerged as a subfield of cultural geography c. 1970, During the past 25 years, a significant body of research has been published in scholarly journals, books, and reference works. Seven major themes are outlined in the formation of music geography: I ‐ origins (non‐‘geographical’); II ‐ world distribution and types; III ‐ location analysis; IV‐source areas of musical activities; V ‐ trends based on electricity; VI ‐ impact of music on landscapes; and VII ‐ global music. A view is offered of how an eighth theme (technological innovations) might develop on the basis of recent observations. La géographiede la musique est apparueau début comme un sous‐domaine de la géographie de la culture aux alentours de 1970. Au cours des vingt‐cinq dernières années, un grand nombre de travaux sur ce sujet a été publié dans des revues scientifiques, des livres et des ouvrages de référence. On peut cerner sept thèmes principauxdans la formation de la géographie de la musique: 1. les origines (non ‘géographiques’); 2. la répartition mondiale et les genres; 3. /‘analyse de /‘emplacement; 4. les sources régionales des activités musicales; 5. les tendances fondées sur l'électricité; 6. l'impact de la musique sur les paysages; 7. la musique globale. À partir de récentes observations, on propose une perspective sur l'élaboration éventuelle d'un huitième thème, à savoir les innovations technologiques. Mots‐clés:géographie de la musique, géographie de la culture, sources régionales, paysage sonore, musique globale.
Url:
DOI: 10.1111/j.1541-0064.1996.tb00433.x
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 001791
- to stream Istex, to step Curation: 001790
- to stream Istex, to step Checkpoint: 000C53
- to stream Main, to step Merge: 000D30
- to stream Main, to step Curation: 000D24
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">THE SEVEN THEMES OF MUSIC GEOGRAPHY</title><author><name sortKey="Nash, Peter H" sort="Nash, Peter H" uniqKey="Nash P" first="Peter H." last="Nash">Peter H. Nash</name></author><author><name sortKey="Carney, George O" sort="Carney, George O" uniqKey="Carney G" first="George O." last="Carney">George O. Carney</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:04B82ACA61728F7C2DD043A1B693F6A2C2490BCB</idno><date when="1996" year="1996">1996</date><idno type="doi">10.1111/j.1541-0064.1996.tb00433.x</idno><idno type="url">https://api.istex.fr/document/04B82ACA61728F7C2DD043A1B693F6A2C2490BCB/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">001791</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">001791</idno><idno type="wicri:Area/Istex/Curation">001790</idno><idno type="wicri:Area/Istex/Checkpoint">000C53</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000C53</idno><idno type="wicri:doubleKey">0008-3658:1996:Nash P:the:seven:themes</idno><idno type="wicri:Area/Main/Merge">000D30</idno><idno type="wicri:Area/Main/Curation">000D24</idno><idno type="wicri:Area/Main/Exploration">000D24</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main">THE SEVEN THEMES OF MUSIC GEOGRAPHY<ref type="note" target="#fn1">*</ref></title><author><name sortKey="Nash, Peter H" sort="Nash, Peter H" uniqKey="Nash P" first="Peter H." last="Nash">Peter H. Nash</name><affiliation wicri:level="1"><country>Canada</country><wicri:regionArea>Department of Geography, Faculty of Environmental Studies, University of Waterloo, Waterloo, Ontario</wicri:regionArea><wicri:noRegion>Ontario</wicri:noRegion></affiliation></author><author><name sortKey="Carney, George O" sort="Carney, George O" uniqKey="Carney G" first="George O." last="Carney">George O. Carney</name><affiliation><wicri:noCountry code="subField">74078</wicri:noCountry></affiliation></author></analytic><monogr></monogr><series><title level="j" type="main">Canadian Geographer / Le Géographe canadien</title><title level="j" type="alt">CANADIAN GEOGRAPHER / LE GEOGRAPHE CANADIEN</title><idno type="ISSN">0008-3658</idno><idno type="eISSN">1541-0064</idno><imprint><biblScope unit="vol">40</biblScope><biblScope unit="issue">1</biblScope><biblScope unit="page" from="69">69</biblScope><biblScope unit="page" to="74">74</biblScope><biblScope unit="page-count">6</biblScope><publisher>Blackwell Publishing Ltd</publisher><pubPlace>Oxford, UK</pubPlace><date type="published" when="1996-03">1996-03</date></imprint><idno type="ISSN">0008-3658</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0008-3658</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Alternative rock culture hearth</term><term>American geographers</term><term>American music</term><term>Annual meeting</term><term>Auditory sense</term><term>Canadian association</term><term>Canadian country music</term><term>Canadian geographer</term><term>Carney</term><term>Country music</term><term>Country music radio stations</term><term>Cultural diffusion</term><term>Cultural geography</term><term>Departmentof geography</term><term>Geographe canadien</term><term>Geographer</term><term>Geography</term><term>Geomusical growth</term><term>Global music</term><term>Human geography</term><term>Illinois press</term><term>Major themes</term><term>Miami sound</term><term>Middle ages</term><term>Music geography</term><term>Music regions</term><term>Musical activities</term><term>Musique globale</term><term>Nash</term><term>Neumatic notation</term><term>Next theme</term><term>Popular music</term><term>Regional music</term><term>Source areas</term><term>Sources regionales</term><term>Spatial aspects</term><term>Spatial dimensions</term><term>Subject matter</term><term>Technological innovations</term><term>Vander linden</term><term>Western polyphony</term><term>White gospel quartets</term><term>World music</term><term>Zydeco music</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Music geography first emerged as a subfield of cultural geography c. 1970, During the past 25 years, a significant body of research has been published in scholarly journals, books, and reference works. Seven major themes are outlined in the formation of music geography: I ‐ origins (non‐‘geographical’); II ‐ world distribution and types; III ‐ location analysis; IV‐source areas of musical activities; V ‐ trends based on electricity; VI ‐ impact of music on landscapes; and VII ‐ global music. A view is offered of how an eighth theme (technological innovations) might develop on the basis of recent observations. La géographiede la musique est apparueau début comme un sous‐domaine de la géographie de la culture aux alentours de 1970. Au cours des vingt‐cinq dernières années, un grand nombre de travaux sur ce sujet a été publié dans des revues scientifiques, des livres et des ouvrages de référence. On peut cerner sept thèmes principauxdans la formation de la géographie de la musique: 1. les origines (non ‘géographiques’); 2. la répartition mondiale et les genres; 3. /‘analyse de /‘emplacement; 4. les sources régionales des activités musicales; 5. les tendances fondées sur l'électricité; 6. l'impact de la musique sur les paysages; 7. la musique globale. À partir de récentes observations, on propose une perspective sur l'élaboration éventuelle d'un huitième thème, à savoir les innovations technologiques. Mots‐clés:géographie de la musique, géographie de la culture, sources régionales, paysage sonore, musique globale.</div></front></TEI><affiliations><list><country><li>Canada</li></country></list><tree><noCountry><name sortKey="Carney, George O" sort="Carney, George O" uniqKey="Carney G" first="George O." last="Carney">George O. Carney</name></noCountry><country name="Canada"><noRegion><name sortKey="Nash, Peter H" sort="Nash, Peter H" uniqKey="Nash P" first="Peter H." last="Nash">Peter H. Nash</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000D24 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000D24 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DebussyV1
|flux= Main
|étape= Exploration
|type= RBID
|clé= ISTEX:04B82ACA61728F7C2DD043A1B693F6A2C2490BCB
|texte= THE SEVEN THEMES OF MUSIC GEOGRAPHY
}}
| This area was generated with Dilib version V0.6.33. |  |